EDM Sample Packs for Techno and Trance Producers
Drum loops, one-shots, MIDI, synth presets and full DAW templates made in our studio. Every pack is 100% royalty-free and ready to drop into FL Studio, Ableton Live or Cubase.
Uplifting Trance Vol.1
Acid Techno Vol.1
What is inside a GP sample pack
Each pack is built around one genre and gives you everything for a full track: drums and loops, construction kits, melodies as MIDI, presets for the synths used in the demo and project templates that show how the sounds work together.
- Drum loops, one-shots and construction kits
- MIDI files with melodies and basslines
- Presets for Xfer Serum or Reveal Sound Spire
- Project templates for FL Studio and Ableton Live
- 100% royalty-free for commercial releases
Questions about the sample packs
Acid Techno Vol.1 has 422 drums and loops, 20 MIDI files, 23 Serum presets and 6 DAW templates. Uplifting Trance Vol.1 has 625 drums and loops, 37 MIDI files, 49 Spire presets and 6 DAW templates.
Open a pack to hear the demo and listen to single samples before you buy.
Yes, 100%. You can use the samples, presets and MIDI in commercial releases, on streaming platforms, in label releases, DJ sets and video content without paying extra royalties.
The only restriction: the samples may not be resold or shared as standalone sounds or as part of another pack.
The audio and MIDI files work in any DAW. The presets need Xfer Serum (Acid Techno) or Reveal Sound Spire (Uplifting Trance).
The project templates open in FL Studio and Ableton Live; the Acid Techno pack also has Cubase templates.
Samples & Presets includes the samples, construction kits, presets and MIDI. The Full Package adds the DAW templates. The MIDI files alone are free.
Right after payment you receive an email with your download link, sent to the address you used at checkout. Open the email, click the download button and unpack the archive.
Yes. Our premium templates are full projects in the style of top techno and trance artists, and there is a library of free templates as well.